Another example is Blackbeard: he shows up in the fourth film with no explanation about where he was in the previous entries, when the Pirate Lords convened and fought to save piracy.ĭead Men Tell No Tales is weird in that it tries to draw on some of the elements of the previous four films - something On Stranger Tides notably didn’t do - like reusing old musical cues, and bringing back Angus Barnett and Giles New as Mullroy and Murtogg, the two recurring British officers who serve as comic relief in the earlier films.
Throwaway references, like Jack’s run-in with the East India Trading Company or a colloquial mention of Davy Jones’ locker from the first film, get awkwardly built out into major villains in the second and third, then vanish forever.
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So while Dead Men Tell No Tales doesn’t do itself any favors when it comes to keeping the stories of the series straight, its continuity isn’t built on the sturdiest of scaffolding. That feature told a mostly unrelated story, refocusing the spotlight even more squarely on Depp’s Captain Jack Sparrow after Orlando Bloom and Keira Knightley (who play series stars Will Turner and Elizabeth Swann, respectively) declined to sign on for another installment.
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That was supposed to be it for the franchise, but after the successful opening weekend of At World’s End, Disney began exploring and developing a fourth film, which turned into the standalone On Stranger Tides, considered by many calculations to be the most expensive movie ever filmed. It’s long, dragging, and increasingly absurd, but it’s still a single unit. As it stands, those two films largely serve as a single, extended story. Following its blockbuster success, Disney greenlit two more sequels - Dead Man’s Chest and At World’s End, which were shot back-to-back and written to retroactively graft Curse of the Black Pearl onto the front of what was now a trilogy. Based loosely on the original Disneyland ride, it tells a single, coherent story that wraps up pretty conclusively. The first film, Curse of the Black Pearl, is almost entirely a standalone adventure. The entire continuity of the ‘ Pirates of the Caribbean’ franchise makes no sense That’s largely due to the series’s lurching development. The entire continuity of the Pirates of the Caribbean franchise makes no sense. The problem doesn’t lie entirely in Dead Men Tell No Tales. Warning: major spoilers ahead for all five Pirates films, including Dead Men Tell No Tales Why should fans care about the latest chapter of a story when the creators themselves don’t? Image: Disney But their impact is blunted when no one making the films cares about what these elements are supposed to mean. Basic elements of the universe, like Jack’s compass or the Black Pearl, show up in every movie. If the whole point of a franchise (at least from a non-monetary perspective) is to give filmmakers room to tell overarching stories and develop characters and plots over time, the Pirates of the Caribbean films have utterly failed. But the complete disregard for the series’s existing canon feels significant. This may seem like the nitpicking of a fan who spent what, in retrospect, may have been too much time watching the first few Pirates movies in middle school. ‘Dead Men Tell No Tales’ is puzzlingly, irritatingly ignorant of much of the continuity of the series
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